Persian Paradises or the Art of Persian Miniature

 

We are a collective of miniaturist painters, students of the great master in Persian miniature Abbas Moayeri. Extending our study of this unique art, we also sought to deepen the characteristics of Indian miniature with the painter Mahaveer Swami, brilliant miniaturist, descendent of a Bikaner traditional painters’ family. In addition, influenced by Asian arts globally, we tried to discover other techniques such as the use of colours and pigments in Indian painting, the art of Korean knots (maedup) as adornments or the study of the human or animal shape in Asian sculpture. Here, we are presenting a selection of our work, regularly renewed, while putting an emphasis on our referring masters and informing on their exhibitions.
                                               The collective:  Helene Barrieu, Claudine Gillot, Ariane Mercier, Moni Padioleau 

Persian Miniature 

مینیاتور فارسی

C gillot les 7 dormants 2006 2
Seven men sleeping by Claudine Gillot 

Sc ne champ tre helene barrieu
Pastoral scene by Helene Barrieu 

La servante et l oiseau de paradis 2
 A servant charmed a bird of paradise
by Moni Padioleau

 

Western artists discovered the Persian miniature at the beginning of the 20th century, through Persian art exhibitions in Munich in 1910, in Paris in 1912 and London in 1931.
As early as the 11th century, in Persia, miniatures described heroes of epic literature and poetry. Persian miniature experienced a turning point with the invasion of Mongols and during the Timourid period (12th/ 16th century). The Chinese influence was found in the drawing and material. These Persian paintings were first designed to illustrate texts; they will be done on separate paper sheets from the 16th century.
Persian miniatures are a paradisiacal vision, materialized in the garden, featuring trees - that can make coexist seasons, fall and spring - fountains, silver  rivers, brightly coloured mountains and golden skies. All the beauty of Persian miniature comes from its magnificent colours and abundant finely elaborated details.

Out of the symbiosis between the Persian and Indian style will emerge the Moghol school in the 16th century. Humayun, Babur’s son (the foundator of the Moghol dynasty) will discover the Persian illustration work and paintings at the Persian Safavid Court in Persia 
(1501-1736). He chose two young Persian painters who accompanied him to India and brought their taste for illuminations or illustrations of manuscripts to the Court. Their role was vital in the evolution of the Indian miniature style.

Nowadays this traditional art of Persian miniature is taught in France 
 and we are lucky to count among numerous students of the great miniaturist  Abbas Moayeri, born in Iran. He was the successor of the famous Master Behzâd – with whom he studied – at the School of Fine Arts of Teheran where he taught Persian miniature from 1967 to 1970. In addition to his sumptuous - highly prized by collectors – traditional miniatures, Abbas Moayeri, as a painter and sculptor ‘has also been doing extensive pictorial research, experimenting a unique way of creation fed by centuries of Persian art along with a western technique which lets the non Iranian laymans enter into the transfigured symbolism of a wonderful world of legend, poetry and ancient wisdom’. He received numerous awards and honors and actively participated in great international exhibitions.

 

 

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Traditional Arts


  

 Norigae chrysanthemum
 by Claudine Gillot

 



Apsara by Helene Barrieu